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Acclaim
A true original in the crowded field of violin virtuosos

Last month I recommended a highly unusual and deeply rewarding duo album by violinist Tessa Lark and contrabassist Michael Thurber, on which they alternated selected arrangements from Bach’s two-part inventions with original or adapted pieces of their own. This month I’m recommending a solo recording by Lark, one that is slightly less quirky but still quite unusual. She plays a selection of bravura pieces by the usual suspects (Ravel, Kreisler, Telemann), the centerpiece of which is Schubert’s marvelous C-major fantasy. But she throws in a twist: an original piece titled Appalachian Fantasy, which takes the central theme from the Schubert piece and recasts it in fiddle-tune style, and then segues into two traditional fiddle tunes: “Cumberland Gap” and “Bonaparte’s Retreat.” Lark is a true original in the crowded field of violin virtuosos right now, and is definitely one to keep an eye on. (Kudos to the outstanding pianist Amy Yang as well, who accompanies on three of these works.)

Rick Anderson, CD Hotlist
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